![]() ![]() #Denise audio poltergate plus#Monitoring and equalising the internal sidechain allows the gate to be more sensitive to certain frequencies over others, plus there’s a handy spike slider that amplifies transients so that the gate doesn’t miss out important parts of the performance when opening and closing. In line with the creative, compositional aspect of the plug-in, there’s a handy tempo/note value sync option attached to the gate’s release control. In case of doubt, there are some useful videos on denise audio’s website to demonstrate what everything does. Some controls are named a little differently from other gates, but largely their functions are clear. This would be very tricky to achieve using stock DAW processing with Poltergate, everything is done within one plug-in. making the sound more chopped before introducing transient shaping to restore life to the track once noise is removed. ![]() We like that this introduces users to the correct order/chain of processing, i.e. The plug-in panel opens with the fundamental gating controls needed to isolate a sound, before going on to process and shape it further. The functions that place this plug-in ahead of competitors include an intuitive control of the internal sidechain signal, a comprehensive transient shaping section post gating, and de-bleed filter algorithms to reduce spill. In the case of Poltergate, many of the controls wouldn’t be featured on a traditional noise gate, going well beyond the scope of those gates and offering a simpler approach to setting parameters.Ī clear graphical representation of how the sound is being processed – and the resultant changes in dynamics – is a welcome inclusion on the user interface. Instead of emulating the look of classic hardware using so-called skeuomorphic design principles, the good folk at denise audio prefer to develop user interfaces that do their own thing. In this review, we’ll concentrate on the former application, since processing drums is perhaps the greatest challenge any noise gate could face. This gate is aimed at mix engineers dealing with tricky mic interrelationships – drums in particular – but also for producers and composers to form rhythmic gating patterns that add interest and originality to loops and other stock sounds. It follows nicely from the impressive Dragon Fire compressor we looked at earlier in 2021. Having already impressed many with its earlier reverb plug-ins ( see our Perfect Room review), denise audio continues its journey into dynamics processing with its new plug-in, Poltergate. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |