![]() ![]() The Radeon 6670 in 720P High or 1080P Low performs very comparable to the GTX 570 in 1080P Ultra. Can't say I would give up my GTX 570 any time soon. 1920x1200 wallpaper, battlefield, unarmedhero, battlefield3. ![]() I am now less hesitant in telling a user a 5770/6770 is okay for BF3. 1366x768 Battlefield 3 Wallpaper, Battlefield 3 Background. The user in question was looking at systems with a 6770 and to my surprise the lesser 6670 can play it to some extent. Normally for at least a Radeon when someone says they want to play Battlefield 3 I would recommend a 6850 or now a 7770. The average and high are enough to make most people happy with the overclock if its stable and if the card doesn't end up failing. Its very likely the overclock was not 100% stable but its still very possible a difference in game play caused it. The GTX 570 took an interesting dive in minimums. The difference in 1080P Medium is enough to make it playable but don't count on staying in Medium for the tough maps/modes. As we see here I wouldn't sweat the difference too much. With the AMD's overclock being so little (and safe) I wouldn't have expected much difference. The upgrade to a 1920x1080 resolution screen is 150. The cost of an Alienware M17x starts at 1,500. In 'Ultra' the GTX 675m was able to get 24FPS with 1920x1080 resolution. Expect at least an average of 5 less frames in worse scenarios. For example, in BattleField 3 'High' the GTX 675m got 54FPS based on 1366x768 resolution. 24 players provides enough action but 64 players on a conquest large map will prove a different challenge. This map provides a combination of open and tight areas and should show the general performance of a card. Team Death Match is the game and Noshahr Canals is the map. Limited on time I chose a test that would provide repeatable results but at the cost of not truly pushing the card as far as I could. The GTX 570 was lowered to reference clocks for the tests. 1366X768 BATTLEFIELD 3 DRIVERSI wiped between drivers with Catalyst 12.3 being used for the 6670 and 296.10 for the GTX 570. Backed up by a Seasonic X750 power supply the only thing lacking here is the graphics card. The test system that normally houses my MSI GTX 570 Twin Frozr III OC Power Edition has an ASUS P8Z68-V Pro Motherboard with an Intel i5-2500K clocked at 4.3Ghz and 16GB of Corsair Vengeance ram clocked at 1600Mhz. The card in question is the GDDR5 w/custom cooler version of the Sapphire Radeon 6670 1GB. ![]()
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A cable intervalometer - used to set the exposure length and interval of the images. It needs to be able to keep the camera perfectly still for long periods of time. There are just a few things you need to get started with shooting star trails and time lapse, most of which you probably have sitting around at home: A DSLR Camera A Stable Tripod for your camera to sit on. #STARTRAIL TIMELAPSE MOVIE#Instead of stacking the images one atop each other, as seen in the making of star trails, the images are displayed one after another to make a movie of the stars moving. 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The film roll convention is a logical, film-like analogy that Darktable uses, but you can tag photos with any word or phrase that you find useful, and then filter your view of photos by tags.
![]() One of the great examples being the Astarium, which was created by Giovanni Dondi (c. The variable excitation capability allows greater. This third generation platform features an innovative optical system that enhances sensitivity and lets you access a broader range of fluorophores. That being the ancient astronomical clocks and dials that were used to measure time by way of observing the movements in the solar system. The Applied Biosystems 7500 Real-Time PCR System is a powerful platform for labs requiring superior performance and maximum dye versatility. Whilst the minimalist, colourful and abstract quality of the “Dotty Clock” appealed to Alice’s aesthetic sensibilities, on another level it reminded her of another interest of hers. Through this process the “Dotty Clock” was born. A process which also incorporated her interests in colour, aiming to create vibrant colour combinations. 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A self-effacing and brilliant designer, Rams has created not just superbly functional and gently desirable products over many years, but nurtured a whole school of much younger designers, like Ive, who are still trying, in an age of hysterical consumerism, to imbue everyday products with an intelligent, purist character that matches and rivals the very best of 20th-century modern movement design.īut, when I tell my little Braun alarm clock that it's a relation of, among other world-class designs, Ludwig Mies van der Rohe's Seagram Building on New York's Park Avenue, it modestly, and functionally, replies. ![]() His designs made the company an international name - "Brawn", strangely and officially, in Great Britain and, I think, the US - and hugely successful. The three controls for adjusting the time, setting the alarm and switching the alarm off are as easy as pie to use, and a delight to look at when you do bother to think of this happily utilitarian product as, in fact it is, a small and perfectly-formed example of later-flowering Bauhaus design.ĭieter Rams was, for slightly more than three decades, head of design at Braun. It fits, by the way, comfortably into the palm of the hand. The corners of this notionally geometric design are subtlety rounded so that the clock has no hard edges and is easy on the early-morning hand. The simplicity of the design - the biggest and clearest possible analogue clock-face set within a half-cube of injection-molded white plastic - is matched by a subtle understanding of function and ergonomics. Its age is proven by the "Made in Germany" hallmark stamped into its back today, a Braun clock of this, low price is made, as most cheap manufactured goods on sale anywhere in the world seem to be, in China. It has gone about its intended purpose faultlessly and still looks as if it has just come out of its package even though it has moved from flat to house many times and even travelled around the world. ![]() In that time it has consumed, at most, a half dozen AA batteries. It has woken me up, without fail, whenever I have needed to get up early for, I think, the past 20 years. fileclock breaks ABI for C++17 implementations Section: 27.7.6 Status: C++20 Submitter: Billy Robert ONeal III Opened: Last modified: 10:48:01 UTC Priority: 1 View all issues with C++20 status. ![]() I picked up this crisp little device to look at it properly for the first time in ages. ![]() ![]() ![]() the difference between High Elven archers and Empire Crossbowmen in Total War: Warhammer II) seems trivial, but is actually very significant, because at a range of 180 or 170 units, the former group deals full damage and the latter deals none. The difference between a range of, say, 180 and 160 (e.g. So what effect does this simplified model of ranged combat have on the tactics of archery?įirst: Small differences in range become very important. ![]() But I want to stay focused on Total War for a second, because of how it influences the tactics in the game – and thus the common perception of historical tactics. It’s not an uncommon system at all (but we shall not discuss the cringe of systems where the damage stat belongs to the arrow instead of the bow). You see this same effect in RPGs (like Divinity: Original Sin or Pillars of Eternity) where ranged weapons either do full damage or no damage. The upshot of this is that the range of the ranged weapons is a hard limit. Amusingly, a shot that – by accident – goes long still deals full damage (you can see this clearly with artillery), but you can only shoot that far by mistake, never on purpose. The longer the range, the more time for the arrows to spread out on their individual trajectories, and the create chance of missing. The arrows have ‘scatter’ to them – each shot is a little bit off. Now, that’s not to say greater ranges do nothing in game. Rather than tracking probability of a sudden lethal hit, the target is killed when the cumulative damage from the arrow hits exceeds his ‘hit points.’ Range is still not a factor in damage. It doesn’t matter if the target is 199 meters away, or 2 meters away – it deals 53 damage.Īgainst armored targets who can resist some of the damage, the arrow does 22 guaranteed damage (the armor piercing value), and the 31 regular damage is reduced by the armor via a complicated formula. When each model (each guy) fires, the game calculates a trajectory for his arrow – if it intercepts another model (friend or foe), it deals the 53 damage listed. What that means in the game is that these guys can only fire at enemies under 200 units (I think it’s in meters, but it is really hard to tell). These basic archers have a range of 200 and an arrow-damage of 53 (31 regular and 22 armor piercing damage). Let’s take the example of the Total War games – in this case, Total War: Three Kingdoms (because I have been playing a bunch of it). Instead, I want to focus on the way ranged weapons – especially arrows – are handled within these sorts of systems. Some archers, along with Zheng Jiang, being her badass self. We can understand the damage statistic as a simplified measure of lethality well enough. I broadly understand the necessity of that abstraction and I am not going to complain about it here. In most games, the effect of weapons is reduced to a mathematical abstraction: ‘damage.’ This weapon does 5 damage, that weapon does 10 this enemy has 25 hit points, so must hit him so many times – that sort of thing. Games that attempt instead to simulate the complex effects of wounds ( Dwarf Fortress, RimWorld) are very rare. It thus has less to do with how everything looks and more with game mechanics, so let’s start there. #Total war three kingdoms crossbow tvMy ‘target’ today (excuse the pun) is less portrayals of pre-gunpowder warfare in film or TV and more how it is portrayed in interactive media like tabletop wargames and video-games. If you just want to contrast how things are shown with how they probably were, read the first two sections, then skip down to ‘ Quick Sum Up‘ and pick up from there. I think the math is very interesting, but I understand some people don’t – on the flip side, I know if I leave it out, some folks will be very confused as to how I got where I was going. ![]() This is going to be a longer post, with a bunch of math. This is, in a sense, a continuation of my previous post on armor penetration, “ Punching Through Some Armor Myths,” so you may want to refer back occasionally. This week, we’re going to look at how the effectiveness of arrow fire – especially against armored targets – varies over distance. ![]() ![]() ![]() Stereo system with turntable how to#We hope that, through this recommendations guide, you will understand more clearly how to connect a turntable to a Hi-Fi mini-system. High fidelity contrasts with the lower quality sound produced by inexpensive audio equipment. Some very old mini-system models also have an input with the DIN 5 PINS format. Hi-fi speakers are a key component of quality audio reproduction. You must therefore use the suitable cable to connect your phono preamp with your Hi-Fi mini-system, namely, a modulation cable. It can be in RCA format (Cinch) or stereo Jack 3.5 format. What cables do I need for connecting my turntable or phono preamp to my mini-system? All you need to do is therefore connect the USB turntable directly to the Aux input of your mini-system.Ģ. This is the case, for example of the AT-LP120X of Audio Technica. This turntable incorporates an RIAA phono preamp. It comes with remote control, can play CD, cassette, MP3 & AM/FM. It will therefore be necessary to select this according to the phono cartridge technology used on your turntable, ( MM or MC cartridge), as well as the sound quality you want to obtain. Yescom 33 RPM / 45 RPM / 78 RPM Audio System Vinyl Record Player with Stereo Speakers can play 7', 10' & 12' vinyl records. Once this check is done, you must then connect a phono preamp between your Hi-Fi mini-system and the turntable. Without one of these inputs, it will not be possible to connect your turntable to your mini-system. But it must at least have an 'AUX IN' input with RCA or Stereo Mini-Jack format. There is little chance that your mini-system has a phono input. Several options are open to you for connecting your turntable to your mini-system! But above all, you must ensure that the connections are possible. What do I need to connect a turntable to a mini-Hi-Fi system? gives you a few connection tips in this purchase guide.ġ. How to choose your Hi-Fi speakers? Discoverĭo you have a high-quality mini-system and want to listen to records!? It is possible (in some cases) to connect a turntable to a recent or older generation Hi-Fi mini-system.What difference between phono cable and interconnect cable? Discover.Digital cables (USB, optical, Ethernet.).Speaker Cables, Banana and Fork connectors.How do I take care of my records ? Discover.Accessories for record cleaning machines.Brushes and cleaning products for vinyls.How to choose your phono preamplifier ? Discover.USB / Digital / Bluetooth Phono Preamplifiers. Stereo system with turntable upgrade#
![]() ![]() Works owned by a company have a copyright that lasts for 95 years after publication or 120 years after creation, whichever comes first.įortunately, you don’t have to do much research to find out if a piece of music is in the public domain. However, public domain music is free because the copyright has expired, rather than the creator surrendering the copyright.Ĭopyright law specifies that a copyright lasts for 70 years after the creator’s death. Public domain music is the same as copyright free music. Usually, if you use music on a creative commons license, you have to credit the artist. Creative commons is music that has a copyright, but the copyright is written to allow people to use the music as if it were copyright free, without requiring the creator to surrender their copyright. “ Creative commons” is a term that gets thrown around in this space, too. Some creators of copyright free music use a “pay what you want” pricing model, where you can make a donation, if you’d like. Anyone can use copyright free music in videos without paying extra for it. If no one owns the rights to the music, no one can charge money for it. Usually this means the music creator surrendered the copyright. Copyright free musicĬopyright free music is truly free music. And most royalty free music libraries also have selections of copyright free and public domain music (read: totally free), which we’ll cover right now. But it is sometimes worth the nominal cost. Ultimately, royalty free music isn’t completely free. Some creators charge nothing at all and require only that you credit them when you use their music. Most royalty free music creators charge a very modest fee for their music, the idea being that they’ll make more money if more people can afford to buy their music. It’s a much more affordable way to source music for your videos. That gives you access to the music forever. With royalty free music, you pay for the music one time, up front. Royalty free music, on the other hand, has none of these ongoing costs. The music label can even demand that you take old videos down because you’re no longer paying for the music. However, if you ever stop paying the royalty fee, you can no longer use any videos that include this music. If you make any money from the videos you created with that music, you have to pay some portion of your profit to the music label.Īlternatively, you can pay an ongoing fee - like a subscription - for continued access to the music. The reason buying the rights to popular music from a record label is so expensive is because they usually demand royalties. ![]() Royalty free music is not completely free. Pretty soon you’ll have all the jams you need, for every single video you make. To help you in your quest, we’ve assembled the ultimate guide to free music for videos. But if you need even more music for your videos, you can easily import tracks from other free music libraries directly into your Biteable videos. Every track is included, with no extra charge. The Biteable video maker has a library with hundreds of music tracks for videos. Or if you have a video music budget, you can find very affordable sources that give you tons of royalty-free tunes per dollar spent. The good news is that there are plenty of places to get free background music for all your videos. Naturally, this pushes most creators toward finding free music for their videos. And even if you can pay for music, buying the rights to popular tracks may still be out of your price range. But finding free music for your videos is tricky.ĭepending on your budget, paying for the commercial rights to music may not be an option. And no matter what you use it for - video marketing, education, blogging, or anything else - a perfectly paired soundtrack is one of the keys to your success. ![]() |
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